A formal analysis of Darius Painters storage jar with Perseus and Essay

A formal analysis of Darius Painters storage jar with Perseus and Andromeda - Essay Example The Darius Painter was unique in the sizable height of his pottery, which included works that stood over three feet tall. The throat of the jar is decorated with the typical red trim that one associates with this genre, and the row of squares that goes around the lower half of the jar, beneath the pictures, is also typical. The jar literally teems with people: the bottom shows Andromeda in a position of humility, kneeling to gain reconciliation with the other members of her family. Perseus and Aphrodite stand above, flanking Hermes as they watch this scene occur. The eyes show a powerful energy not often found in this genre of vase-painting. The figures all show vibrant curvature and show a realistic potential for energetic motion. This makes sense, given the Darius Painter's influences, which primarily involved viewing theatrical productions. The fluid movement of his figures reflects the choreography that went into early Greek theater, as do the crowded nature of his figures, and t heir dramatic composition. When you first view this vase, your eye is drawn to a triangular dynamic that surrounds Andromeda, her father, and Aphrodite up above. Trapped in the middle appears to be a winged messenger, perhaps Hermes. The closeness of the three other figures around him, combined with his uneasy facial expression, adds a definite sense of tension to this grouping.

Listening the mp3 file Essay Example | Topics and Well Written Essays - 500 words

Listening the mp3 file - Essay Example This formed the basis of civilization of the Indus Valley. 1500 BC marks the last known evidence of this cultural development. The regionalization era is a period in which regional differences can be recognized while the integration era unites all these differences. Uniformity was a very strong feature of the whole of the Indus Valley. Everything was same all across the Valley ranging from pottery to architecture. This indicates a highly centralized administration. The final stage of the Indus Valley civilization developed at a very inconsistent speed. The only evidence we have today to study the Indus Valley is the material evidence. Mohenjodaro and Harappa are two of the most well studied cities in the Indus Valley civilization, and are thus the most important. Food in the Indus Valley was largely produced from barley and wheat. Foods include chicken, fish, chickpeas, sesame, and grapes, juju and dates. Mud-bricks and fire-bricks were used in architecture. Use of mud-brick was gen eral while that of fire-brick was particular. Indus Valley civilization was very strong at water management. Large water-holding tanks can be seen in the settlements. The train systems are particular characteristics of their landscapes. Highly stylized figurines made in soft clay and beadwork is particular skills of the Indus Valley civilization. Soft stone, lattice and turquoise are important in terms of stone work. Markets existed and commerce took place at the entrance to big urban centers of the Indus Valley. The Indus Valley had unique weight standards. Metal, typically copper and bronze became very common in the later stages of the civilization. Very little is known about the religion of people of the Indus Valley civilization. Developments in regional locations started in 4000 BC which was when the regionalization era commenced. Of all the different cities, Mehrgarh was the center of technological advancement in the Indus